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Do you know what is the dance of "the lions roar" and "the roar of the camel" or "Nomad rap" in the Arab countries?



United Arab Emirates (CNN) - Some known dance "horror", a kind of folklore which is famous Bedouin tribes and clans in Jordan, and the desert areas in Syria, Iraq and Palestine, and in some Gulf countries such as Saudi Arabia and Kuwait for hundreds of years.
Who does not know "Aldhah," Boogie authentic Bedouin, which is a battleship game in addition to being a collective dance, where men Ohaseg echoing sounds similar to the lions roar and the roar of camels.


Aldhah of war games is because they terrify the hearts of the enemy during the war. The word "Aldhah" line, any popular Bedouin poetry, and is characterized as a method of unique traditional arts because they contain many other elements such as dance called the dancer to "footnote" and play, and hair unprepared or so-called "factory", and perform unique movements.
It is noteworthy, that the Bedouin women in Jordan was leading the dance in Aldhah called "footnote", but faded and the role of the dancer "footnote" where almost became extinct at the present time to be limited to men because the dance footnote is an essential element in the art of Aldhah. The Bedouin wear uniforms, an authentic Bedouin robe while performing Aldhah a fundamental element to preserve the features of this heritage.


And line up men in the game "Aldhah" in the form of a semi-circle, standing poet in the middle and then begins to improvise point in different topics Kalfajr, and praise, spinning, or fencing capillary with another poet, and after each verse echoes lined up by saying, "Would you ... lochia, ,,,, Leah allies, boy, "and during Trilling should poet that improvises and regulates the verse in less than twenty seconds, but this is a hair" Aldhah of the most difficult types of hair.
During the play Aldhah, dancing footnote sword or stick in front of queuing with another person or with the poet, after the completion of the House of Poetry begins "Aziza_jal_al_by_sardine_normal," a version sounds similar to the roar of a camel or black roar where light begins with applause intermittently and then increase the enthusiasm and the sound and applause.


And sees a leading strange, adviser in youth issues and instructor at Erasmus Plus European program, Jordan, that "young people feel the need to communicate with the heritage of their ancestors in the time that they communicate it with other cultures, and therefore insist on interaction in dance Aldhah despite their lack of knowledge of hair singer and sometimes they perform movements close to the types of dance in other cultures, "noting that" newly enter Musical Instruments Western to Dahyah been to keep up with the times, and it was this integration very successful to the degree of magic effect on the audience, and noted that during the training in the European program where participate young people from different countries in Aldhah dance. "
He explained Khaled Khawaldeh, President of the Arab Network of pastoralist communities in Tafila, Jordan, that "it is important to maintain the cornerstones of the game (Boogie) with interest the development of topics to include scenes from contemporary life, and the diversity of movements and adoption basically to improvise," he said, adding that "Aldhah more open to development and harmony with the times and adaptation to suit the younger generations and tastes, so be authentic way to express their present. "


Khawaldeh confirms that Aldhah can converge to a large extent by singing rap, but we can call it the "Nomad rap" dependence on mixing and adaptation of prose and poetry of the line with a certain melody, without attention to hair and its dependence on word meaning and melody and not on the "singer" but they do not rely on machines but only acoustic musical performance of the team. "


Khawaldeh believes that "mainstream Aldhah and dissemination among young people find a positive echo, especially if integrated with some modern art, he said, adding:" I see the interaction with foreign Aldhah signal to its compatibility with the times and ease of understanding of the music and its proximity to contemporary music.

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