
United Arab Emirates (CNN) - Some known dance "horror", a kind of
folklore which is famous Bedouin tribes and clans in Jordan, and the
desert areas in Syria, Iraq and Palestine, and in some Gulf countries
such as Saudi Arabia and Kuwait for hundreds of years.
Who does not know "Aldhah," Boogie authentic Bedouin, which is a
battleship game in addition to being a collective dance, where men
Ohaseg echoing sounds similar to the lions roar and the roar of camels.
Aldhah of war games is because they terrify the hearts of the enemy during the war. The word "Aldhah" line, any popular Bedouin poetry, and is
characterized as a method of unique traditional arts because they
contain many other elements such as dance called the dancer to
"footnote" and play, and hair unprepared or so-called "factory", and
perform unique movements.
It
is noteworthy, that the Bedouin women in Jordan was leading the dance
in Aldhah called "footnote", but faded and the role of the dancer
"footnote" where almost became extinct at the present time to be limited
to men because the dance footnote is an essential element in the art of
Aldhah. The Bedouin wear uniforms, an authentic Bedouin robe while performing
Aldhah a fundamental element to preserve the features of this heritage.
And
line up men in the game "Aldhah" in the form of a semi-circle, standing
poet in the middle and then begins to improvise point in different
topics Kalfajr, and praise, spinning, or fencing capillary with another
poet, and after each verse echoes lined up by saying, "Would you ...
lochia, ,,,, Leah allies, boy, "and during Trilling should poet that
improvises and regulates the verse in less than twenty seconds, but this
is a hair" Aldhah of the most difficult types of hair.
During the play Aldhah, dancing footnote sword or stick in front of
queuing with another person or with the poet, after the completion of
the House of Poetry begins "Aziza_jal_al_by_sardine_normal," a version
sounds similar to the roar of a camel or black roar where light begins
with applause intermittently and then increase the enthusiasm and the
sound and applause.
And
sees a leading strange, adviser in youth issues and instructor at
Erasmus Plus European program, Jordan, that "young people feel the need
to communicate with the heritage of their ancestors in the time that
they communicate it with other cultures, and therefore insist on
interaction in dance Aldhah despite their lack of knowledge of hair
singer and sometimes they perform movements close
to the types of dance in other cultures, "noting that" newly enter
Musical Instruments Western to Dahyah been to keep up with the times,
and it was this integration very successful to the degree of magic
effect on the audience, and noted that during the training in the
European program where participate young people from different countries
in Aldhah dance. "
He
explained Khaled Khawaldeh, President of the Arab Network of
pastoralist communities in Tafila, Jordan, that "it is important to
maintain the cornerstones of the game (Boogie) with interest the
development of topics to include scenes from contemporary life, and the
diversity of movements and adoption basically to improvise," he said,
adding that "Aldhah more open to development and harmony with the times and adaptation to
suit the younger generations and tastes, so be authentic way to express
their present. "
Khawaldeh
confirms that Aldhah can converge to a large extent by singing rap, but
we can call it the "Nomad rap" dependence on mixing and adaptation of
prose and poetry of the line with a certain melody, without attention to
hair and its dependence on word meaning and melody and not on the
"singer" but they do not rely on machines but only acoustic musical performance of the team. "
Khawaldeh
believes that "mainstream Aldhah and dissemination among young people
find a positive echo, especially if integrated with some modern art, he
said, adding:" I see the interaction with foreign Aldhah signal to its
compatibility with the times and ease of understanding of the music and
its proximity to contemporary music.